000 02738nam a2200313 a 4500
999 _c202721
_d202721
001 ACL002389
005 20191213151124.0
008 161003s2014 xxk||||| |||| 00| 0 eng d
020 _a9780199897728
040 _aAR-BaUFF
_dAR-BaUFF
100 1 _aSanders, Ed,
_d1973-
_985610
245 1 0 _aEnvy and jealousy in classical Athens :
_ba socio-psychological approach /
_cEd Sanders.
260 _aOxford :
_bOxford University Press,
_c2014.
300 _axiii, 207 p.
490 0 _aEmotions of the past
505 0 _aEnvy, jealousy and related emotions: modern theories -- The vocabulary of Greek envy and jealousy -- Aristotle on phthonos -- Phthonos and the Attic oratorical corpus -- Audience phthonos in old comedy -- Onstage phthonos in old comedy and tragedy -- Sexual jealousy in classical Athens.
520 _amotions vary extensively between cultures, especially in their eliciting conditions, social acceptability, forms of expression, and co-extent of terminology. Envy and Jealousy in Classical Athens examines the sensation, expression, and literary representation of these major emotions in Athens. Previous scholarship has primarily taken a lexical approach, focusing on usage of the Greek words phthonos and zêlos. This has value, but also limitations, for two reasons: the discreditable nature of phthonos renders its ascription or disclamation suspect, and there is no Classical Greek label for sexual jealousy. A complementary approach is therefore required, one which reads the expressed values and actions of entire situations. Building on recent developments in reading emotion "scripts" in classical texts, this book applies to Athenian culture and literature insights on the contexts, conscious and subconscious motivations, subjective manifestations, and indicative behaviors of envy, jealousy, and related emotions. These critical insights are derived from modern philosophical, psychological, psychoanalytical, sociological, and anthropological scholarship, thus enabling an exploration of both the explicit theorization and evaluation of envy and jealousy, and also the more oblique ways in which they find expression across different genres-in particular philosophy, oratory, comedy, and tragedy. By employing this new methodology, Ed Sanders illuminates a significant and underexplored aspect of Classical Athenian culture and literature.
600 1 4 _91260
_aAristóteles,
_d384 a.C.-322 a.C.
650 4 _962836
_aLITERATURA GRIEGA
650 0 _973685
_aCOMEDIA GRIEGA
650 4 _963360
_aORATORIA
650 0 _973428
_aTRAGEDIA GRIEGA
650 4 _961779
_aEMOCIONES
653 0 _aENVIDIA
653 0 _aCELOS
653 0 _aPHTHONOS
942 0 0 _cLBSS
_2udc
990 _9003
_a2014 11 03