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ENACTING gender on the english renaissance stage / edited by Viviana Comensoli & Anne Russell.

Colaborador(es): Tipo de material: TextoTextoDetalles de publicación: Urbana, Ill. : University of Illinois Press, c1999.Descripción: vii, 270 p. ; 23 cmISBN:
  • 0252024230
  • 0252067304
Tema(s):
Contenidos:
Introduction / Viviana Comensoli and Anne Russell -- 1. Making Defect Perfection: Shakespeare and the One-Sex Model / Janet Adelman -- 2. "To Laugh with Open Throate": Mad Lovers, Theatrical Cures, and Gendered Bodies in Jacobean Drama / Alan Walworth -- 3. Transmigrations: Crossing Regional and Gender Boundaries in Antony and Cleopatra / Mary Floyd-Wilson -- 4. Marlowe's Ganymede / Joyce Green MacDonald -- 5. Subjectivity, Time, and Gender in Titus Andronicus, Hamlet, and Othello / R. L. Kesler -- 6. Theaters, Households, and a "Kind of History" in Elizabeth Cary's The Tragedy of Mariam / Rosemary Kegl -- 7. Playing the "Scene Self": Jane Cavendish and Elizabeth Brackley's The Concealed Fancies / Alison Findlay -- 8. The Introduction of Actresses in England: Delay or Defensiveness? / Michael Shapiro -- 9. Staging the Female Playgoer: Gender in Shakespeare's Onstage Audiences / Laurie E. Osborne. 10. Gender, Rhetoric, and Performance in John Webster's The White Devil / Christina Luckyj.
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Tipo de ítem Biblioteca actual Colección Signatura Estado Fecha de vencimiento Código de barras
Libros de Préstamo en Sala Libros de Préstamo en Sala Biblioteca Central "Prof. Augusto Raúl Cortazar" Non-fiction 711-2-15 (Navegar estantería(Abre debajo)) Disponible 457678

Indice: p. 263 - 270

Bibliografía: p. [233]-257-

Introduction / Viviana Comensoli and Anne Russell -- 1. Making Defect Perfection: Shakespeare and the One-Sex Model / Janet Adelman -- 2. "To Laugh with Open Throate": Mad Lovers, Theatrical Cures, and Gendered Bodies in Jacobean Drama / Alan Walworth -- 3. Transmigrations: Crossing Regional and Gender Boundaries in Antony and Cleopatra / Mary Floyd-Wilson -- 4. Marlowe's Ganymede / Joyce Green MacDonald -- 5. Subjectivity, Time, and Gender in Titus Andronicus, Hamlet, and Othello / R. L. Kesler -- 6. Theaters, Households, and a "Kind of History" in Elizabeth Cary's The Tragedy of Mariam / Rosemary Kegl -- 7. Playing the "Scene Self": Jane Cavendish and Elizabeth Brackley's The Concealed Fancies / Alison Findlay -- 8. The Introduction of Actresses in England: Delay or Defensiveness? / Michael Shapiro -- 9. Staging the Female Playgoer: Gender in Shakespeare's Onstage Audiences / Laurie E. Osborne.
10. Gender, Rhetoric, and Performance in John Webster's The White Devil / Christina Luckyj.

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