Performance and identity in the classical world / Anne Duncan.
Tipo de material: TextoDetalles de publicación: Cambridge, U.K. ; New York : Cambridge University Press, 2006.Descripción: viii, 242 p. ; 24 cmISBN:- 9780521313483
- 792.08/0938/0901 22
- PA3203 .D76 2006
Tipo de ítem | Biblioteca actual | Signatura | Estado | Fecha de vencimiento | Código de barras |
---|---|---|---|---|---|
Libros de Préstamo en Sala | Biblioteca del Instituto de Filología Clásica "Dra. Alicia Schniebs" | VIII-8 (Navegar estantería(Abre debajo)) | Disponible | 501931 |
Incluye referencias bibliográficas e índices.
Drag queens and in-betweens: Agathon and the mimetic body -- Demosthenes vs. Aeschines : the rhetoric of sincerity -- The fraud and the flatterer : images of actors on the comic stage -- Infamous performers : comic actors and female prostitutes in Rome -- The actor's freedom : Roscius and the slave actor at rome -- Extreme mimesis : spectacle in the empire.
Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.
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