Terence between late antiquity and the age of printing :
Terence between late antiquity and the age of printing : illustration, commentary and performance /
edited by Andrew J. Turner, Giulia Torello-Hill.
- Leiden ; Boston : Brill, [2015]
- xiii, 293 p.: ill. ; 25 cm.
- Metaforms, Studies in the Reception of Classical Antiquity, 4 2212-9405 ; .
Incluye referencias bibliográficas e índices.
1. Introduction / Andrew J. Turner and Giulia Torello-Hill -- 2. Terence’s Comedies: Development, Transmission and Transformation / Bernard J. Muir -- 3. Illustrating the Manuscripts of Terence / Beatrice Radden Keefe -- 4. Thais Walks the German Streets: Text, Gloss, and Illustration in Neidhart’s 1486 German Edition of Terence’s Eunuchus / James H. Kim On Chong-Gossard -- 5. Terence Quotations in Latin Grammarians: Shared and Distinguishing Features / Salvatore Monda -- 6. Problems with the Terence Commentary Traditions: The Oedipus Scholion in BnF, lat. 7899 / Andrew J. Turner -- 7. Donatus’ Commentary: The Reception of Terence’s Performance / Chrysanthi Demetriou -- 8. Ornatu prologi: Terence’s Prologues on the Stage/on the Page / Gianni Guastella -- 9. The Revival of Classical Roman Comedy in Renaissance Ferrara: From the Scriptorium to the Stage / Giulia Torello-Hill -- 10. Terence’s Audience and Readership in the Ninth to Eleventh Centuries / Claudia Villa -- Bibliography -- Index of Papyri and Manuscripts -- Index of Ancient Sources -- Index of Names and Subjects -- Figures
Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages. Contributors are: James H. Kim On Chong-Gossard, Chrysanthi Demetriou, Gianni Guastella, Salvatore Monda, Bernard J. Muir, Beatrice Radden Keefe, Giulia Torello-Hill, Andrew J. Turner and Claudia Villa. --
9789004288805
2015009632
Terencio Africano, Publio
LITERATURA LATINA
TEATRO LATINO
COMEDIAS
INTERPRETACIÓN
COMEDIA LATINA
PA6768 / .T35 2015
872/.01
Incluye referencias bibliográficas e índices.
1. Introduction / Andrew J. Turner and Giulia Torello-Hill -- 2. Terence’s Comedies: Development, Transmission and Transformation / Bernard J. Muir -- 3. Illustrating the Manuscripts of Terence / Beatrice Radden Keefe -- 4. Thais Walks the German Streets: Text, Gloss, and Illustration in Neidhart’s 1486 German Edition of Terence’s Eunuchus / James H. Kim On Chong-Gossard -- 5. Terence Quotations in Latin Grammarians: Shared and Distinguishing Features / Salvatore Monda -- 6. Problems with the Terence Commentary Traditions: The Oedipus Scholion in BnF, lat. 7899 / Andrew J. Turner -- 7. Donatus’ Commentary: The Reception of Terence’s Performance / Chrysanthi Demetriou -- 8. Ornatu prologi: Terence’s Prologues on the Stage/on the Page / Gianni Guastella -- 9. The Revival of Classical Roman Comedy in Renaissance Ferrara: From the Scriptorium to the Stage / Giulia Torello-Hill -- 10. Terence’s Audience and Readership in the Ninth to Eleventh Centuries / Claudia Villa -- Bibliography -- Index of Papyri and Manuscripts -- Index of Ancient Sources -- Index of Names and Subjects -- Figures
Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages. Contributors are: James H. Kim On Chong-Gossard, Chrysanthi Demetriou, Gianni Guastella, Salvatore Monda, Bernard J. Muir, Beatrice Radden Keefe, Giulia Torello-Hill, Andrew J. Turner and Claudia Villa. --
9789004288805
2015009632
Terencio Africano, Publio
LITERATURA LATINA
TEATRO LATINO
COMEDIAS
INTERPRETACIÓN
COMEDIA LATINA
PA6768 / .T35 2015
872/.01